Actually, this practice dates as far back as Johann Sebastian Bach. Though Vivaldi never wrote a concerto for the guitar, many composers, performers and conductors have written their interpretations of traditional arrangements for this solo instrument. In more modern times, Francisco Eixea Tarregga (1854-1909) founded the contemporary guitar school which brought this instrument further recognition. He devoted his talents as a composer, teacher and virtuoso performer to show the artistic qualities and musical range of the guitar. Several decades after Vivaldi's death in 1741 in Vienna, Fernado Sor (1778-1839) helped to bring the modern version of this six string instrument to the forefront. This has since evolved into the guitar we know today. The vihuela da mano had a more contemporary guitar shaped body. In the sixteenth century, a uniquely Spanish lute was being made. Early, the lute was a pear shaped, stringed instrument. Primarily a folk instrument, it had many variations through the ages. At the time, the guitar was considered an instrument for amateurs.

The guitar dates back to the middle ages. Since we are reviewing Angel Romero, arguably the finest guitarist alive, lets talk about the guitar a bit. Yet, the complex rhythmical interplay between the musicians lures the listener deep into the music. This type of music gives you the sense of extreme discipline.

Each member of the orchestra with a very specific purpose, short quick bursts of music, almost making each instrument and musician a soloist. I can't quite put my finger on it, maybe it's the intensity. There is something about Baroque music that I really enjoy. Angel Romero - Vivaldi Contcertos - Music Review Īngel Romero - 'Vivaldi Concertos' Academy of St.

Vivaldi los romeros